St Mary the Virgin Merton

Diocese of Southwark, Church of England

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Canterbury Tales:
The Kelmscott Chaucer by Sue Warner
 


 

 

William Morris was a founder of the Arts & Crafts movement.

Though himself an architect first & later a painter, he found fame as a designer of fabrics, wallpapers, murals, stained glass windows & furniture. He was also a writer & social reformer. With the Kelmscott Press, he aimed to recreate the quality of printing achieved by the early hand presses of the 15th & 16th centuries. The Kelmscott Chaucer—an edition of all of Chaucer’s works illustrated by Morris’ friend Edward Burne-Jones—was the Press’s finest production.


More than thirty people meet by chance at an inn in London. In the morning they will set off on a pilgrimage to visit the shrine of Thomas a´ Becket in Canterbury Cathedral. The inn-keeper (the Host) suggests that they hold a story-telling competition, with the winner receiving a free dinner at the inn after the return journey. And so the scene is set for The Canterbury tales, the earliest and most famous collection of tales in English.
 

Kelmscott Press print for the Knight's Tale

The Knight’s Tale
The first tale is a courtly, heroic tale of love and war. Two knights in classical Athens fall in love with the same woman, who they see from a prison window after their capture during battle. After their release, they each pray to different gods, Mars and Venus, hoping to win her hand in a tournament. The gods must honour promises to both knights, yet there is only one lady. The tale is a verse romance, but incorporates much philosophical reflections on the divine order of the universe, the reversal of fortunes and the nature of human destiny.

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